Healing through story

Author: Bob Gillen (Page 28 of 29)

Don’t Wait for Anyone

“Don’t wait for anyone. Life doesn’t wait. Don’t become what you most fear. A wasted soul. Leap for the rope and swing towards the stars.”

John Patrick Shanley

 

It’s been a long time since I last posted here. A family illness, now resolving itself, absorbed time and attention. I’m working my way back.

My next book, Off-Road, is close to completion. The time away from working on it gave me a new perspective, and I am re-structuring the story. Publication date will likely be September. I’ll keep you informed.

One of the most fun aspects of writing this story has been creating and developing the characters. One of them, Lyndie Reed, is a high school junior. She’s always on the move. An avid runner, she logs many miles every day. Lyndie is inspired by one of my nieces, who recently ran the Boston Marathon twice – in the same day! She started early, ran the course backwards, and arrived at the official starting line in time to run the prescribed course with all the other runners. Fifty-two point four miles. Amazing.

Lyndie is Tessa Warren’s best friend. It’s a new friendship. Tessa has spent the last two years mourning for her brother, killed in a car crash a few months after he graduated from film school. She’s now “leaping for the rope,” beginning to step into her brother’s film shoes.

I look forward to introducing the Film Crew to you. And, with luck, the book will become a series. Talk soon.

Off-Road

Off-Road

Movies to Help Kids Fall in Love with Cinematography

Cinematography is more than stunning visuals

“Raindance is dedicated to fostering and promoting independent film around the world. Based in the heart of London, Raindance combines Raindance Film Festival, training courses — which are offered throughout the year at our 10 international hubs — and the British Independent Film Awards.”

In discussing how films can influence young people’s love for film, Raindance says, “…cinematography is more than stunning visuals, and movie-loving kids have plenty of opportunities to understand the power of storytelling, acting and between-the-lines messages.”

They go on to say, “It is not that hard to get children interested in films, but now that your little cinema buff caught the taste for it, it’s time to feed his passion with well-selected titles. Once they fall in love with cinema, this feeling will burn bright in their hearts forever, but the first steps into this world of wonder are essential to keep that fire going.”

Their recommended films are:

  • The Harry Potter Series
  • Jumanji
  • Charlotte’s Web
  • Frozen
  • Mary Poppins
  • Peter Pan
  • The Lion King
  • Coraline
  • Back to the Future I
  • Inside Out

Here’s the link to Raindance’s article: “10 Movies that Will Make Any Kid Fall in Love with Cinematography.”

Enjoy these films, or share them with young people you know.

What inspires me to write for young adults

Teaching High School Media Production

When my wife and I taught our Media Production class to high school seniors, on day one of the semester-long course we screened the introductory podcast of film director Baz Luhrmann’s Set to Screen series. The series, created by Apple, follows Luhrmann behind the scenes as he directs the 2008 film Australia.

We watched the students’ faces as they viewed the podcast. Rapt attention. Even awe at times.

Then we told them, you can do the same thing. Of course, you don’t have the budget, the equipment, the production company that Luhrmann had for Australia. But yes, on your own terms, with your equipment and imagination, you can do the same thing in this class. Make movies.

And that’s exactly what they did.

The girls in our class found their voice. It was often lighthearted. Parodies, music videos, fun video stories. But it was theirs. Theirs from conception to final screening. They owned it. They told stories rooted in their imaginations, their own lives.

Here are a couple of screen captures from their productions. One features a western movie, shot on location at the historic  Paramount Ranch in Agoura Hills, California. One student played all the parts. The students composed original music for their film on Garageband.

Another student project features a black and white  music video based on Marky Mark’s Good Vibrations.

The screen capture on the left is the original Marky Mark video. The one on the right was done by our class.

Helping young people find their voice is what my writing is all about. I have a YA book series coming soon about teens who use film and media to find their way in this world. I’ll let you know a soon as it’s available.

Visiting a Movie or TV Production Set

Observing how movie and television productions are shot is an awesome learning experience for an aspiring filmmaker. You can check out your own city or state film commission. They usually announce where and when a production may be working in your area.

Observers are often welcome on a set, especially an outdoor location. Here are generally accepted rules for visitors to a production set. Follow them and you’ll be accepted as an observer.

When you arrive at the location, ask for the first or second AD (Assistant Director). This is usually the person who yells “Rolling” or quiets the set just before the camera rolls. Tell him or her you are an aspiring filmmaker and you’d like to observe.

Movie/TV set etiquette rules:

  • Stay out of the shot (watch where the camera is pointed)
  • Be silent when the AD calls “cameras rolling”
  • Turn off cell phones
  • Don’t take photos or video when the cameras are rolling
  • Don’t talk to the crew and actors unless they speak to you first
  • And please, if you recognize an actor, do not ask for an autograph. That’s just not cool! If you are polite and work to stay out of the way, cast or crew may approach you on their own to thank you for taking an interest in their work.

When you’re trying to find the actual location, look for “coded” signs on lampposts or trees. They’re usually printed both right-side up and upside down. These are used to direct cast and crew to the location without advertising to everyone else what’s going on.

The Moon, Mars, and Alpha Centauri

Four years ago I wrote a post in my Creating Story blog about seeing Ray Bradbury at a 2009 book signing in a local bookstore.

Bradbury had arrived in a wheelchair, a rumpled man with a huge shock of white hair. He filled the room with excitement.

After speaking  for a few moments, he had fielded questions from his fans. Someone asked him what he thought the future held for our young generation. He sat up tall in his wheelchair, his eyes sparkling, and almost cried out, “We should go back to the moon! Go on to Mars, with the moon as a base camp. Then go on to Alpha Centauri.”

Here was a master storyteller who spent a lifetime exploring this world and the entire universe in his imagination. His voice quivered with excitement when he told us of his own recent visit to the Jet Propulsion Labs in Pasadena, California. The JPL scientists guided him as he drove the Mars Rover on the surface of the same planet he had visited in his imagination since The Martian Chronicles. This from a man who never had a driver’s license in all of his then almost 90 years,

This is the power of story.  Travel back to the moon. Probe the vast universe.

Shooting the Off-Road Desert Race

I’m working on creating an exciting cover for the first book, “Off-Road,” in the YA series. In the meantime, here’s a picture of the camera Tessa uses in shooting the off-road desert race, the fictional Cactus 100.

She inherited the camera from her brother Ryder. He used it in his years at NYU’s film school. It’s a Panasonic HVX. The earlier version of this camera, the DVX,  was popular with indie filmmakers before the explosion of digital camera choices now available.

shooting the off-road desert race with a Panasonic HVX camera

Panasonic AG-HVX200

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